Friday, May 11, 2007

Ulysses: The figure seated on a large boulder...

Continuing our discussion of how creative writing should give readers an experience, I've invited James Joyce to be with us today. Joyce's Ulysses was named the best novel of the twentieth century by the Modern Library, and without doubt, this author is a master of his craft. Consider the following passage from Ulysses:

"The figure seated on a large boulder at the foot of a round tower was that of a broadshouldered deepchested stronglimbed frankeyed redhaired freelyfreckled shaggybearded widemouthed largenosed longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced sinewyarmed hero. From shoulder to shoulder he measured several ells and his rocklike mountainous knees were covered, as was likewise the rest of his body wherever visible, with a strong growth of tawny prickly hair inhue and toughness similar to the mountain gorse (ULEX EUROPEUS). The widewinged nostrils, from which bristles of the same tawny hue projected, were of such capaciousness that within their cavernous obscurity the fieldlark might easily have lodged her nest. The eyes in which a tear and a smile strove ever for the mastery were of the dimensions of a goodsized cauliflower. A powerful current of warm breath issued at regular intervals from the profound cavity of his mouth while in rhythmic resonance the loud strong hale reverberations of his formidable heart thundered rumblingly causing the ground, the summit of the lofty tower and the still loftier walls of the cave to vibrate and tremble."

What makes this writing effective? What do readers experience as they read this passage?

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